projectunravel

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	<title>projectunravel</title>
	<link>https://projectunravel.com</link>
	<description>projectunravel</description>
	<pubDate>Mon, 10 Sep 2018 16:38:15 +0000</pubDate>
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		<title>red</title>
				
		<link>https://projectunravel.com/red</link>

		<pubDate>Mon, 10 Sep 2018 16:38:15 +0000</pubDate>

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	&#60;img width="1413" height="1512" width_o="1413" height_o="1512" data-src="https://freight.cargo.site/t/original/i/0da7363587be46747c53c886e3a8730bccc2dab2c65ffec7b10a69c45396b0b3/redwindowssoon.png" data-mid="24292804" border="0" data-scale="41" src="https://freight.cargo.site/w/1000/i/0da7363587be46747c53c886e3a8730bccc2dab2c65ffec7b10a69c45396b0b3/redwindowssoon.png" /&#62;&#60;img width="1000" height="250" width_o="1000" height_o="250" data-src="https://freight.cargo.site/t/original/i/1475d9f1e8dfb477c511ec8336b59fe3a34bcfc3a0e6eec6760a70a972f578d0/titlered.png" data-mid="24292796" border="0" data-scale="59" src="https://freight.cargo.site/w/1000/i/1475d9f1e8dfb477c511ec8336b59fe3a34bcfc3a0e6eec6760a70a972f578d0/titlered.png" /&#62;&#60;img width="1881" height="341" width_o="1881" height_o="341" data-src="https://freight.cargo.site/t/original/i/9a1e656c3e00da2dfe03fb0e118bd1ab1be6678a61cca58375cab09542e5927c/redissue2.png" data-mid="24292797" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/9a1e656c3e00da2dfe03fb0e118bd1ab1be6678a61cca58375cab09542e5927c/redissue2.png" /&#62;&#38;lt;/unravel;&#38;gt; : Histories or Tales of Future Times is a performance of the making of a knitted manifesto, a fairy tale which unravels ideas and preconceptions of binarisms: craft and design, analogue and digital, female and male, zeroes and ones. Folk tales and folk art (craft) are both parts of an inseparable interwoven net. They contain the spirit of the collective unconscious.&#38;nbsp;Each day for the duration of the performance we will knit one chapter of this tale, each told from the perspective of a new narrator.We decided to use a hacked knitting machine, a perfect hybrid of two binary systems- coding and weaving- to talk about -and challenge-binaries.&#38;nbsp;

"Myths are clues to the spiritual potentialities of human life." - Joseph Campbell


e

	
	TITLE
	

	INTRO
	

	NOW WE ARE ABOUT TO BEGINAND YOU MUST ATTEND! AND WHEN YOU GET TO THE&#38;nbsp;
END OF THE STORY
YOU WILL KNOW MORE
THAN YOU KNOW NOW.

BEGINNETH HERE THE TALE
CALLED “HISTORIES OR TALES
OF FUTURE TIMES” 
WHERE ARE CONTAINED THE TALES TOLD IN SEVEN DAYS BY SEVEN NARRATORS-&#38;nbsp;


JUDITH, JULIEN,

GIOVANNI, JOSEPH, 

ANGELA, ANDREA,

DONNA, CLARISSA, 

VLADIMIR, MARINA, 

VIRGINIA, JACK, 

LENA AND RILEY-

WHO ARE HEREINAFTER PRESENTED
FOREGATHERED FOR THE PURPOSE OF DEVISING TOGETHER.
HERE IS THE BEGINNING, WHERE WE LEARN WHO WE MUST BE, AS WELL AS THE MORAL OF THE STORY.

THERE WAS A TIME AND NO TIME...


	DAY I
	

	AND ON DAY THE FIRST THE FIRST NARRATOR SAT BY THE SPINNING YARN AND THUS BEGUN..

THE PAST KEEPS BECKONING, WITH CROOKED FINGER, FOLLOW ME, AND FOLLOWING I STUMBLE OVER OLD EMOTIONS, BLOCKED IN THOUGHT, OLD HURTS CLOSE IN AND MAKE ME LOSE MY WAY. BUT THIS TIME I HAVE MARKED PAST’S PATH WITH MY LOVE’S PEBBLES. AND AS I TURN, THEY LEAD ME TO TODAY. 

GO OUT IN THE WOODS, GO OUT. IF YOU DON’T GO OUT IN THE WOODS NOTHING WILL EVER HAPPEN TO YOU AND YOUR LIFE WILL NEVER BEGIN. GO OUT IN THE WOODS GO OUT. 

LIFE AND SACRIFICE GO TOGETHER. RED IS THE COLOUR OF LIFE AND OF SACRIFICE.


	DAY II
	

	AND ON DAY THE SECOND THE SECOND NARRATOR SAT BY THE SPINNING YARN AND THUS BEGUN..

THE LESSONS ARE SIMPLE, AND WE LEARN THEM WELL. MEN AND WOMEN ARE DIFFERENT, ABSOLUTE OPPOSITES.

FAIRY TALES THRIVE ON SIMPLIFICATION. A DECISION IS RIGHT OR WRONG. ONE TURNS TO THE LEFT OR TO THE RIGHT. 

WERE WE ABLE TO UNFOLD THE PICTURE OF TRANSFORMATIONS, IT WOULD BE POSSIBLE TO SATISFY OURSELVES THAT ALL OF THE TALES GIVEN CAN BE MORPHOLOGICALLY DEDUCED FROM THE TALES ABOUT THE KIDNAPPING OF A PRINCESS BY A DRAGON. 

THE DISCOVERY IS, OF COURSE, THAT MAN AND WOMAN ARE FICTIONS, CARICATURES, CULTURAL CONSTRUCTS. AS MODELS THEY ARE REDUCTIVE, TOTALITARIAN, INAPPROPRIATE TO HUMAN BECOMING. AS ROLES THEY ARE STATIC, DEMEANING TO THE FEMALE, DEAD-ENDED FOR MALE AND FEMALE BOTH. 

IT IS A QUESTION OF FINDING THE RIGHT MODEL.
	

	DAY III
	

	fffAND ON DAY THE THIRD THE THIRD NARRATOR SAT BY THE SPINNING YARN AND THUS BEGUN.. 

THE POINT IS THAT WE HAVE NOT FORMED THAT ANCIENT WORLD- IT HAS FORMED US. WE INGESTED IT AS CHILDREN WHOLE, HAD ITS VALUES AND CONCIOUSNESS IMPRINTED ON OUR MINDS AS CULTURAL ABSOLUTES LONG BEFORE WE WERE IN FACT MEN AND WOMEN. WE HAVE TAKEN FAIRY TALES OF CHILDHOOD WITH US INTO MATURITY, CHEWED BUT STILL LYING IN THE STOMACH, AS REAL IDENTITY.
 
MEMORY IS THE SEAMSTRESS, AND A CAPRICIOUS ONE AT THAT. MEMORY RUNS HER NEEDLE IN AND OUT, UP AND DOWN, HITHER AND THITHER.


	DAY IV
	

	AND ON DAY THE FOURTH THE FOURTH NARRATOR SAT BY THE SPINNING YARN AND THUS BEGUN.. 

BUT FAIRIES, AS SUCH, ARE THIN ON THE GROUND, FOR THE TERM FAIRY TALE IS A FIGURE OF SPEECH AND WE USE IT LOOSELY, TO DESCRIBE THE GREAT MASS OF INFINITELY VARIOUS NARRATIVES THAT WAS, ONCE UPON A TIME AND STILL IS SOMETIMES, PASSED ON AND DISSEMINATED THROUGH THE WORLD BY WORD OF MOUTH- STORIES WITHOUT KNOWN ORIGINATORS THAT CAN BE REMADE AGAIN AND AGAIN BY EVERY PERSON WHO TELLS THEM. 

AND THOUGH THE STORIES IN THIS BOOK WERE, ALMOST ALL OF THEM, NOTED DOWN FROM LIVING MOUTHS, COLLECTORS THEMSELVES CAN RARELY REFRAIN FROM TINKERING WITH THEM, EDITING, COLLATING, PUTTING TWO TEXTS TOGETHER TO MAKE A BETTER ONE.


AND THOUGH THE STORIES
	

	DAY V
	

	AnAND ON DAY THE FIFTH THE FIFTH NARRATOR 
SAT BY THE SPINNING YARN 
AND THUS BEGUN
 
SCIENCE FICTION AND FANTASY ARE OUR NEW MYTHOLOGY. MYTHS ARE STORIES OF OUR SEARCH THROUGH THE AGES OF TRUTH FOR MEANING FOR SIGNIFICANCE...
MYTHS ARE CLUES TO THE SPIRITUAL POTENTIALITIES OF HUMAN LIFE. 

THE ORIGINAL MYTHS ALL CONCERN A PRIMAL ANDROGYNE- AN ANDROGYNOUS GOD HEAD, AN ANDROGYNOUS PEOPLE.
 
THE CORRUPTIONS OF THESE MYTHS WITHOUT EXCEPTION UPHOLD PATRIARCHICAL NOTIONS OF SEXUAL POLARITY, DUALITY, MALE AND FEMALE AS OPPOSITE AND ANTAGONISTIC.
 
FAIRY TALE, AS A FORM, DEALS WITH LIMITS, AND LIMITS OFTEN ACT BY FEAR.&#38;nbsp;

SCI


THE FI
	

	DAY VI
	

AND ON DAY THE SIXTHTHE SIXTH NARRATORSAT BY THE SPINNING YARNAND THUS BEGUN:

THE CRITICAL PROMISE OF FANTASY, WHEN AND WHERE IT EXISTS,IS TO CHALLENGE THE CONTIGENTS 
LIMITS OF WHAT WILL AND WILL NOT 
BE CALLED REALITY.

THIS TALE IS AN EFFORT TO
 CONTRIBUTE IN THE UTOPIAN TRADITION 
OF IMAGINING A WORLD WITHOUT GENDER, 
WHICH IS PERHAPS A WORLD WITHOUT GENESIS, 
BUT MAYBE ALSO A WORLD WITHOUT END.
 
WHEN WE FEEL, WE WILL FEEL THE EMERGENCY: WHEN WE FEEL THE EMERGENCY,
 WE WILL ACT: WHEN WE ACT, WE WILL CHANGE THE WORLD.


IIST

	
	DAY VII
	

ON DAY THE LASTTHE SEVEN NARRATORSSTOOD UP AND WALKED AWAY.
THEN, THREE APPLESFELL FROM THE SKY.
ONE FOR THE STORYTELLER,ONE FOR THEM WHO LISTEN,AND ONE FOR THEM WHO UNDERSTAND.


SNIP, SNAP, SNOUT,THIS TALE’S TOLD OUT.


THE END


THEIR-STORIESORTALES OFFUTURE TIMES


edited byIRENE ALBINO &#38;amp;ELLEN JONSSON


The written piece is inspired by Boccaccio’s Decameron frame narrative style- a literary technique of a story within a story- where ten characters / narrators shelter in a secluded villa outside Florence to escape the Black Death- also called the Great Plague- and each one tells a story every night. 
The quotes used have been found in the bibliography below:


Beck, J. The Life of the Theatre (1972)
Boccaccio, G. The Decameron &#38;nbsp;(1353)
Butler, J. Undoing Gender (2004)
Campbell, J. The Power of Myth (1988)
Carter, A. The Company of Wolves (1979)
Carter, A. The Virago Book of Fairy Tales (1991)
Dworkin, A. Woman Hating: A Radical Look at Sexuality (1974)
Haraway, D. A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century (1985)
Nolda, L. Loves Prescent, 1991 (impromptu contribution)
Pinkola Estes, C. Women who run with the wolves (1992)
Propp, V. Morphology of the Folk Tale, (1928)
Riley (fictional name), impromptu contribution
Warner, M. From the Beast to the Blonde: on Fairy Tales and Their Tellers (1994)
Woolf, V. Orlando (1928)
Zipes, J. Fairy Tales and the Art of Subversion (1991)


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		<title>homepageok</title>
				
		<link>https://projectunravel.com/homepageok</link>

		<pubDate>Tue, 28 Aug 2018 20:44:53 +0000</pubDate>

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&#60;img width="1000" height="250" width_o="1000" height_o="250" data-src="https://freight.cargo.site/t/original/i/ea9932d5b24b6ab86b85102d93dec4d41ce660fd02110bc92021439f6ed0997f/titlewhite-copy.png" data-mid="23136302" border="0" data-scale="34" src="https://freight.cargo.site/w/1000/i/ea9932d5b24b6ab86b85102d93dec4d41ce660fd02110bc92021439f6ed0997f/titlewhite-copy.png" /&#62;


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				read more on It’s Nice That


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		<title>about</title>
				
		<link>https://projectunravel.com/about</link>

		<pubDate>Tue, 28 Aug 2018 22:00:50 +0000</pubDate>

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	︎
	︎

This project would not have been possible outside of the GCD Makerspace, run by senior lecturer Jaap de Maat and artist-studio assistant Mike McShane, at Central Saint Martins, as well as the technical help and support of Rodney Wilson, Specialist Knit Technician, the excellent reading suggestions of our tutor, Ken Hollings and the GCD staff and colleagues who promptly jumped in to help us with every technical and non issue, all of whom we sincerely thank.

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		<title>issue1</title>
				
		<link>https://projectunravel.com/issue1</link>

		<pubDate>Tue, 28 Aug 2018 13:10:20 +0000</pubDate>

		<dc:creator>projectunravel</dc:creator>

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	&#38;lt;/unravel;&#38;gt; is a performance of the making of a knitted manifesto which unravels ideas and preconceptions of binarisms: craft and design, analogue and digital, female and male, zeroes and ones. Our aim is to challenge gender stereotypes of male-dominated computer hacking, and the domestic female ‘quick and easy’ hobby of knitting. By looping together conceptual threads, we connect the nodes in a network composed of our research and influences. The project also explores the communal spirit of a craft; a space in which people can share thoughts and opinions: craft as a vehicle for political change.


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The medium becomes the message. We decided to talk about binarisms by using the binary system par excellence: weaving is the first form of programming.
Using a hacked knitting machine, this project aims to re-create a communal space where DIY open source coding projects and craft activities bring people together to aspire to change.&#38;nbsp;


	The content was knitted and revealed (unraveled) day by day, during the week of the Degree Show: 2,  Central Saint Martins,19-24 June 2018, GCD studios, and included an introduction, 4 Chapters and a bibliography.&#38;nbsp;The cubical installation was designed to reflect upon the hybrid usage of technologies, and in this, the knitting machine functions as a printer, although ‘printing’ on textile.
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	&#60;img width="2500" height="3750" width_o="2500" height_o="3750" data-src="https://freight.cargo.site/t/original/i/970471214eaa9651a86313bb4a4d3bbacbbed80f468e1ba5388951ca9f3913f7/unravelscreen2.jpg" data-mid="23148630" border="0"  src="https://freight.cargo.site/w/1000/i/970471214eaa9651a86313bb4a4d3bbacbbed80f468e1ba5388951ca9f3913f7/unravelscreen2.jpg" /&#62;


	&#60;img width="1413" height="1032" width_o="1413" height_o="1032" data-src="https://freight.cargo.site/t/original/i/a5f2240fbb8440d3ca0c3cc9a3046d6f62e397ed659e0217744d7328041fe237/blackwindowstexts.png" data-mid="23142882" border="0"  src="https://freight.cargo.site/w/1000/i/a5f2240fbb8440d3ca0c3cc9a3046d6f62e397ed659e0217744d7328041fe237/blackwindowstexts.png" /&#62;
	The collection of knitted texts features extracts and quotes by Margaret Atwood, Sadie Plant, Marshall McLuhan, Ada Lovelace, Monique Wittig, Donna Haraway, Anni Albers, Ann Hamilton, Michel Foucault, Sigmund Freud, Gilles Deleuze- just to name a few.


		&#60;img width="1500" height="7274" width_o="1500" height_o="7274" data-src="https://freight.cargo.site/t/original/i/c26ab99dd4141dbf2c10d44ae87b178fc68492ef05634ff79cd7759c8ca522fb/text1.jpg" data-mid="23146636" border="0"  src="https://freight.cargo.site/w/1000/i/c26ab99dd4141dbf2c10d44ae87b178fc68492ef05634ff79cd7759c8ca522fb/text1.jpg" /&#62;
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		&#60;img width="365" height="1928" width_o="365" height_o="1928" data-src="https://freight.cargo.site/t/original/i/f2a928af5a2704e9511181f773acf97649e10394ade1de298263ab70a5f2fc4a/text4.jpg" data-mid="23251478" border="0"  src="https://freight.cargo.site/w/365/i/f2a928af5a2704e9511181f773acf97649e10394ade1de298263ab70a5f2fc4a/text4.jpg" /&#62;
		&#60;img width="1500" height="7649" width_o="1500" height_o="7649" data-src="https://freight.cargo.site/t/original/i/02bb8194839ea69e4a355d6a7f20de5dbc78e1df7721e630287d007d6ab70206/text5.jpg" data-mid="23147339" border="0"  src="https://freight.cargo.site/w/1000/i/02bb8194839ea69e4a355d6a7f20de5dbc78e1df7721e630287d007d6ab70206/text5.jpg" /&#62;
		&#60;img width="5906" height="30118" width_o="5906" height_o="30118" data-src="https://freight.cargo.site/t/original/i/297c3b482b0e79264bac18c31117c3d244bc61cace35d829ad5a0d5cf87670e4/bibliography-full.png" data-mid="23423832" border="0"  src="https://freight.cargo.site/w/1000/i/297c3b482b0e79264bac18c31117c3d244bc61cace35d829ad5a0d5cf87670e4/bibliography-full.png" /&#62;


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	&#60;img width="2500" height="1668" width_o="2500" height_o="1668" data-src="https://freight.cargo.site/t/original/i/69bb52e4b4d4d23dd08863bce685ab9dab3a91220ec1e8ded82ca759383f2938/DSC02753ok2.jpg" data-mid="23106949" border="0"  src="https://freight.cargo.site/w/1000/i/69bb52e4b4d4d23dd08863bce685ab9dab3a91220ec1e8ded82ca759383f2938/DSC02753ok2.jpg" /&#62;&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/1f32b24f5200af18428b0bd7e122ab49c81311229790aba635afcb37376736ed/IMG_4645OK.jpg" data-mid="23106959" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/1f32b24f5200af18428b0bd7e122ab49c81311229790aba635afcb37376736ed/IMG_4645OK.jpg" /&#62;&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/25b4e698c2e728c2623593ea9c5bc615fc07909db007f3d6703b47063b047056/IMG_4725OK2500.jpg" data-mid="23145328" border="0"  src="https://freight.cargo.site/w/1000/i/25b4e698c2e728c2623593ea9c5bc615fc07909db007f3d6703b47063b047056/IMG_4725OK2500.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/b3a1bdfa35a35c79624d231a7a9c64f44bb7b8185f2092fe6d8c52c75d5f73c7/IMG_4631ok.jpg" data-mid="23145417" border="0"  src="https://freight.cargo.site/w/1000/i/b3a1bdfa35a35c79624d231a7a9c64f44bb7b8185f2092fe6d8c52c75d5f73c7/IMG_4631ok.jpg" /&#62;&#60;img width="2500" height="3750" width_o="2500" height_o="3750" data-src="https://freight.cargo.site/t/original/i/bbb86ce79ceae3f06c29afb17df65181d40d465fc07d8b2beed842be110431e4/unravelscreen.jpg" data-mid="23148629" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/bbb86ce79ceae3f06c29afb17df65181d40d465fc07d8b2beed842be110431e4/unravelscreen.jpg" /&#62;
	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/17f51851ad93b22c8b2c517132164ce7d453ea3554ca77af4a595c780640c5d3/IMG_4561ok.jpg" data-mid="23106950" border="0"  src="https://freight.cargo.site/w/1000/i/17f51851ad93b22c8b2c517132164ce7d453ea3554ca77af4a595c780640c5d3/IMG_4561ok.jpg" /&#62;&#60;img width="667" height="1000" width_o="667" height_o="1000" data-src="https://freight.cargo.site/t/original/i/8f5b1ae14194b6a07c43e7dda8f9d5e1fd773b4529451e426d29495f4be1864f/IMG_4764ok.jpg" data-mid="23145437" border="0"  src="https://freight.cargo.site/w/667/i/8f5b1ae14194b6a07c43e7dda8f9d5e1fd773b4529451e426d29495f4be1864f/IMG_4764ok.jpg" /&#62;&#60;img width="3872" height="2592" width_o="3872" height_o="2592" data-src="https://freight.cargo.site/t/original/i/a64622b178a811c8d00c1a672d07860d61931744217ff20c0ad4b3ddba6ada76/_DSC4382ok.jpg" data-mid="23145391" border="0"  src="https://freight.cargo.site/w/1000/i/a64622b178a811c8d00c1a672d07860d61931744217ff20c0ad4b3ddba6ada76/_DSC4382ok.jpg" /&#62;&#60;img width="2500" height="3750" width_o="2500" height_o="3750" data-src="https://freight.cargo.site/t/original/i/3b78e5095951ab7d789f26f15b06081c1d661d676f276e341637b37c590aee12/IMG_4748ok.jpg" data-mid="23106967" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/3b78e5095951ab7d789f26f15b06081c1d661d676f276e341637b37c590aee12/IMG_4748ok.jpg" /&#62;
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This project would not have been possible outside of the GCD Makerspace, run by senior lecturer Jaap de Maat and artist-studio assistant Mike McShane, at Central Saint Martins, as well as the technical help and support of Rodney Wilson, Specialist Knit Technician, the excellent reading suggestions of our tutor, Ken Hollings and all the GCD staff and colleagues who promptly jumped in to help us with every technical and non issue and who we sincerely thank.


&#60;img width="1947" height="1942" width_o="1947" height_o="1942" data-src="https://freight.cargo.site/t/original/i/127c4f9d951c013f0f823ac3a2acf4d99b7b438cd4b81c606478cf239cc3b78c/scarf.jpg" data-mid="23149083" border="0"  src="https://freight.cargo.site/w/1000/i/127c4f9d951c013f0f823ac3a2acf4d99b7b438cd4b81c606478cf239cc3b78c/scarf.jpg" /&#62;

&#60;img width="1136" height="360" width_o="1136" height_o="360" data-src="https://freight.cargo.site/t/original/i/3ae7a476719786d605d381d1db32674ce155360c9cd922be2a125f7a7ad12d51/project-byblack.png" data-mid="23143382" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/3ae7a476719786d605d381d1db32674ce155360c9cd922be2a125f7a7ad12d51/project-byblack.png" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>issue2</title>
				
		<link>https://projectunravel.com/issue2</link>

		<pubDate>Tue, 28 Aug 2018 13:47:33 +0000</pubDate>

		<dc:creator>projectunravel</dc:creator>

		<guid isPermaLink="true">https://projectunravel.com/issue2</guid>

		<description>
	

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&#60;img width="1881" height="341" width_o="1881" height_o="341" data-src="https://freight.cargo.site/t/original/i/9a1e656c3e00da2dfe03fb0e118bd1ab1be6678a61cca58375cab09542e5927c/redissue2.png" data-mid="23145258" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/9a1e656c3e00da2dfe03fb0e118bd1ab1be6678a61cca58375cab09542e5927c/redissue2.png" /&#62;


&#60;img width="1413" height="1512" width_o="1413" height_o="1512" data-src="https://freight.cargo.site/t/original/i/0da7363587be46747c53c886e3a8730bccc2dab2c65ffec7b10a69c45396b0b3/redwindowssoon.png" data-mid="23243382" border="0"  src="https://freight.cargo.site/w/1000/i/0da7363587be46747c53c886e3a8730bccc2dab2c65ffec7b10a69c45396b0b3/redwindowssoon.png" /&#62;
&#60;img width="1500" height="2241" width_o="1500" height_o="2241" data-src="https://freight.cargo.site/t/original/i/2f5882817b06b304bc4109acfa0c8cdff99126f61cf1967cdc87e40bbf679401/_DSC5013web.jpg" data-mid="27509709" border="0"  src="https://freight.cargo.site/w/1000/i/2f5882817b06b304bc4109acfa0c8cdff99126f61cf1967cdc87e40bbf679401/_DSC5013web.jpg" /&#62;
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&#60;img width="2592" height="3872" width_o="2592" height_o="3872" data-src="https://freight.cargo.site/t/original/i/3c81440dba22f84573d4d6d794bbbccfd5baf82e4f4b9622f83d816dde59eba9/_DSC5084web.jpg" data-mid="27509713" border="0"  src="https://freight.cargo.site/w/1000/i/3c81440dba22f84573d4d6d794bbbccfd5baf82e4f4b9622f83d816dde59eba9/_DSC5084web.jpg" /&#62;
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&#60;img width="1500" height="2240" width_o="1500" height_o="2240" data-src="https://freight.cargo.site/t/original/i/0c8097130490abb19e66a33623b8a00b913cb6a42aae04ba38cb17450a649b54/_DSC5006WEB.jpg" data-mid="28111731" border="0"  src="https://freight.cargo.site/w/1000/i/0c8097130490abb19e66a33623b8a00b913cb6a42aae04ba38cb17450a649b54/_DSC5006WEB.jpg" /&#62;
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	&#38;lt;/unravel;&#38;gt; : Histories or Tales of Future Times is a performance of the making of a knitted manifesto, a fairy tale which unravels ideas and preconceptions of binarisms: craft and design, analogue and digital, female and male, zeroes and ones. Folk tales and folk art (craft) are both parts of an inseparable interwoven net. They contain the spirit of the collective unconscious.&#38;nbsp;Each day for the duration of the performance we will knit one chapter of this tale, each told from the perspective of a new narrator.
"Myths are clues to the spiritual potentialities of human life." - Joseph Campbell


‘Go out in the woods, go out. &#38;nbsp;If you don't go out in the woods, nothing will ever happen and your life will never begin.
Go out in the woods,
go out.
Go out in the woods,
go out,
Go out in the woods,
go out.’


'The Wolf's Eyelash' by C.P. Estes 


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	The written piece is inspired by Boccaccio’s Decameron&#38;nbsp;frame narrative style- a literary technique of a story within a story- where ten characters / narrators shelter in a secluded villa outside Florence to escape the Black Death- also called the Great Plague- and each one tells a story every night. The quotes used have been found in the bibliography below:

Beck, J. The Life of the Theatre (1972)Boccaccio, G. The Decameron &#38;nbsp;(1353)Butler, J. Undoing Gender (2004)Campbell, J. The Power of Myth (1988)Carter, A. The Company of Wolves (1979)Carter, A. The Virago Book of Fairy Tales (1991)Dworkin, A. Woman Hating: A Radical Look at Sexuality (1974)Haraway, D. A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century (1985)Nolda, L. Loves Prescent, 1991 (impromptu contribution)Pinkola Estes, C. Women who run with the wolves (1992)Propp, V. Morphology of the Folk Tale, (1928)Riley (fictional name), impromptu contributionWarner, M. From the Beast to the Blonde: on Fairy Tales and Their Tellers (1994)Woolf, V. Orlando (1928)Zipes, J. Fairy Tales and the Art of Subversion (1991)


read here the complete collection of knitted texts 
as they have been daily knitted and uploaded


more about the project here &#38;nbsp; 
more


more
as mot

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